News from Michele Graf

Creative Blockbusters, June 12, 2010 (Sat.), 1:00 – 3:30 p.m. ,Lamb Cottage, Skinner Butte Park, Eugene $30.00

register at http://www.moxiemavericks.com/

Join Lisa Gentile, M.S., Life and Creativity Coach from the San Francisco area, to: * Learn new ways to hear what your work is saying, * Manage anxiety * Prioritize * Stay focused and * Get the feedback you need, when you need it. “I highly recommend this workshop, and Lisa — she’s been a mentor to me for the past three years. A Poetry Anthology I’m coordinating with five other women from across the U.S. is nearing completion. Lisa’s guidance was critical during the process. I’m delighted to be meeting her in person — we’ve worked together online and via phone up to now. I’m happy to talk with anyone interested in more information about my experience working with Lisa.” Michele Graf MGraf@roadwriter.net

and

The Muse Online Writers Conference, - the only FREE conference of its kind!  http://www.themuseonlinewritersconference.com/ Affiliated with the award-winning sites and Writer’s Digest Top 101 Writing Sites: 
The MuseItUp Club & Apollo’s Lyre Registration is now open for the October 11 – 17, 2010 Conference! (Registration deadline: August 15, 2010) No matter where you live, what you write, at what point you are in your writing career, you’ll find a workshop that fits your needs during our weeklong conference. Don’t miss out! JOIN US!

(local contact Michele Graf MGraf@roadwriter.net for more info)

OSPA Spring Conference a Smash Hit!

Thanks, all who attended our 2010 conference! it was a wonderful day, full of information, catching up with old friends and meeting new. Quinton’s special note: “Thanks from the Eugene-Springfield Unit to all the local poets who made the Spring Conference a success by reading poems, donating time, workshop sessions, books, food, drink, strong backs and assistance at every turn. Extra applause for Michael Hanner, Jim Higgins, Joy McDowell, Sharon Munson, Charles Thielman, and Ingrid Wendt who punctuated the Conference with their fine poems during the weekend. Thanks also to the breakout session leaders, Laura LeHew, Sandy Jensen, and Toni Van Deusen who took on two sessions and collected materials for the Conference packs. And Joy McDowell’s amazing amassing of books and other items for the Raffle Basket, Laura LeHew’s gourmet food brigade. Martha, Erik, Michael, Charles, Michele, Cathy, Nancy, Eileen, Lydia, and all others participating, thanks and high praise for all your contributions.”

Toni Van Deusen has had three poems accepted by Yellow Medicine Review (guest editor Ralph Salisbury).

Erik Muller’s poem for Civic Stadium

A POEM ON CIVIC STADIUM

Note: Han Yu (768-824) wrote the supplicatory “A Poem on the Stone Drums” because he wanted
the elaborately carved stones preserved from the elements and vandalism. From The Jade Mountain, Witter Bynner’s translation serves as the inspiration for this Civic poem; in fact, it provides substance, sequence, even lines for this adaptation more than eleven hundred years after Han Yu.

Scott handed me this photo of the field,
Beseeching me to write about Civic Stadium.
George Hitchcock is tired. James Hall is dead.
What can my poor talent do for Civic Stadium?
. . . When the Depression’s grip loosened,
When the next world war was beginning to brew,
Oregon’s Works Progress Administration
Started building a metropolitan stadium, a hub
For games and the crowds that cheered them.
Signatures on plans allowed funds to flow
To hire carpenters, engineers, quartermasters
To marshal materials, especially wooden beams
From Doug fir felled in the Coast Range,
Tall and straight to support a dream,
Leveled where they grew against a jutting cliff,
Washed by rain, baked by sun, scorched by wildfire.
Where could Scott have found this photo,
True to the moment, not altered by a hair,
The focus deep, not difficult to read?
Greg Luzinski rounds third for home
The year he led the Pacific Coast League.
Looking at this image, I see the years
Have not diminished the stadium’s grandeur,
Nor dampened the enthusiasm of fans
Who wore more straw hats than we do now.
Behind the base path action, the crowd,
Restless as the ocean, seethes and sways,
Its roar breaking like a comber on rocks,
Like a sharp wind in treetops surging
As one timber, then the next, splinters and drops,
Like three Southern Pacific diesels straining on grade.
Historians writing about our time will not
Neglect to include this stadium, its magnet
Drawing thousands, its infield green
The commons where our thoughts graze
To fatten and grow thick wool
In the surety of being one flock.
I who am fond of antiquity am born too late
To see the fir beams rise and settle in place
For grandstands facing east and south.
I came after Luzinski and the Philly stars,
Though I recall a friend of mine
Who saw their games, sat below
The highflying roof, stared down
Into pooled light of an evening game,
While players tensed, fidgeted, sped,
As the palm-held white leather ball
Was fired, swung at, and lofted
Through a summer everyone owned,
Maybe a homer for us, maybe a catch at the wall.
I remember when Vince and I debated
Whether one could write a good baseball poem.
If he lived here, he would add to the clamor
Of fans who love Civic Stadium,
Who respond to its tide of sounds,
To its community of carefree fun.
What if we had a monarch who commanded
Civic to be saved, restored, expanded,
Engaging university faculty and students
As designers, landscapers, re-builders!
We fear the inertia of our leaders,
Their slavish search for precedents,
Their shying away from investment.
Do they forget the city let the schools
Take Civic for one dollar? Then let a judge
Assign it back even if never used again,
Even if like the downtown Park Blocks
With classic courthouse and grand hotel,
It might be leveled, swapped out
For the new, which speculators concoct
With their eye on cash and fashion,
Lots of flanking glass or a skin
Of impermeable metal, impregnable
To time or protest. Shouldn’t
More people care about our stadium?
Can poets make a din? What petition
Should be made? To whom? Forgive
My voice, hoarse in this song of
The times and timbers of Civic Stadium,
Sounding a supplication choked with its own tears.

Erik Muller

Eugene, November 2009

Windfall — January 19 and February 16

WINDFALL READERS FOR JANUARY/FEBRUARY 2010

January 19 – 5:30 p.m.

LOVE AND ISLANDS

Two writers whose work is especially charged by the atmosphere of foreign lands where they have lived and traveled.

Alison Cadbury

Alison Cadbury

Alison Cadbury

In 1971 Alison Cadbury took a trip to the island of Paros, Greece, intending to stay for three weeks; she ended up staying for five years. During that time she developed a great love and respect for the village way of life that had existed in this part of the world for thousands of years, with its essentials unchanged. She was able to observe and take part in the village culture at the time when it was coming to a rather abrupt end in Greece, as tourism finally came to dominate every facet of these islanders’ lives. In her travel essay book Panigýri, she tells the story of the village of Naousa through the voices of its inhabitants, her neighbors and friends,

Cadbury has been a resident of Eugene for over 30 years. Her stories and essays about Greek island life have won her a NEA fellowship, a Pushcart Prize, and an Oregon Literary Arts fellowship. Stories from her book have been published in literary magazines and anthologized. The book has become very popular on Paros, especially among those who knew the old way of life. Because of its wealth of carefully-observed detail it is a valuable historical document in addition to being a work of literature.

Henry Hughes

Henry Hughes

Henry Hughes

The love poems in Henry Hughes’ 2009 poetry collection Moist Meridian are physical, erotic, but they are also filled with incidents and images from places all over the world: China (where he spent much of five years teaching English), San Salvador, Uganda, the Bronx, and the war zones of the Middle East—all of these places and more inhabit his poems and lend them evocative color and energy.

Hughes has also lived in a number of the major regions of the U.S.: he grew up on Long Island, went to Dakota Wesleyan University in South Dakota on a football scholarship, then to Purdue University in Indiana for an M.A. in writing. His love of river fishing has drawn him to water in all the places he lives, and this also is evident in his poetry, which includes everything from pools, to ponds, to the ocean. His collection Men Holding Eggs won the 2004 Oregon Book Award for Poetry. Hughes has been on the faculty of Western Oregon University since 2002.

February 16—5:30 p.m

PARALLEL WORLDS

When snow is falling up it can be a magician’s plot, a poet’s insight, or a trick of the light, depending on who is telling the story.

Nina Kiriki Hoffman

Over the past twenty-some years Nina Hoffman has been the author of adult and young-adult novels that are generally classified as “fantasy/science-fiction” because they include elements of non-ordinary reality as a regular part of the plot. Her works have been finalists for the World Fantasy, Mythopoeic, Sturgeon, Philip K. Dick, and Endeavour awards. Her first novel, The Thread that Binds, won a Stoker award. Her novel Fall of Lightcame out from Ace in May, 2009, and her middle-school novel Thresholds will come out from Viking in August, 2010. She has been called “this generation’s Ray Bradbury,” after the (still-living) fantasy/science-fiction giant.

Hoffman does production work for the Magazine of Fantasy & Science Fiction. She also works with teen writers. She lives in Eugene with several cats and many strange toys and imaginary friends.

Don Colburn

Don Colburn

Don Colburn is one of the rare literary artists earning a living as a writer, but not on a university campus. After working for many years at The Washington Post, and receiving an MFA in creative writing from Warren Wilson College in North Carolina, he came to Portland in 2000 as a reporter for The Oregonian. Here he won the Oregon Newspaper Publishers Award in 2008 for Best Writing. Previously he had been a finalist for the Pulitzer Prize in feature writing.

While at Stanford University on a mid-career Knight Fellowship, Colburn began writing poetry. He has published two poetry collections: a chapbook Another Way to Begin, which won the Finishing Line Press Prize, and a full collection As If Gravity Were a Theory, which won the Cider Press Review Poetry Prize. His poetry reflects an unusual ability to make ordinary scenes and objects leap into temporary character roles, as if all life were a series of quick stories.

New and Renewing Members

Welcome Jon Labrousse, Jorah LaFleur, Lo Caudle, and Marit Slatrones

Also thanks for renewing your membership to Teena Seckler, Carter McKenzie, Amy Miller, and Jenny Root.

Special “Angel Thanks” to Nancy Moody, and Jerry & Martha Gatchell for your donations over and above the call of duty!

You all keep the work of the Guild going!

Creative Nonfiction Group formed in September

Led by Janet W. Hardy, MFA (co-author, The Ethical Slut and many more). If you’re interested in memoir, personal essay, travel writing, food writing, personal journalism, or any other fact-based personal writing, this is the group for you. NB: The queer, the erotic and the strange are welcome here, so if you’re easily shocked this may not be the best group for you. Time and place TBA based on response. To learn more, email Janet at verdie@earthlink.net; please use “Creative Nonfiction Group” as the subject of your email.